A series of posts about important people long ago whose names are either forgotten, or were never well-known in the first place. The posts may also deal with little known aspects of the lives of famous people no longer alive.
This post is about keyboard instruments and the ghosts that play them. A keyboard instrument is very flexible – one can play either a Nazi March or a Civil Rights anthem on the piano. A patriotic American can be expected to experience strong emotional feelings of pride if she hears The Star-Spangled Banner performed by a large military band backed by an enormous choir surrounded by a great many swirling American flags and renditions of the Statue of Liberty. Canadians have ‘O Canada’, The British have ‘Rule Britannia’ and the French have ‘La Marseillaise’. Most national anthems highlight the wonderful aspects of their nations conveniently neglecting to mention the shortcomings, some of which may be horrendous.
Then there is this most dynamic rendition (it builds and builds), of the most political of songs, performed on the piano (to start with). The piano player is Liu Huan who, in his prime, was as popular in China as Michael Jackson was in his prime in the United States. The male singer in white is Nan Sun. At the 4 minute 43 second mark is Cui Jian listening – he is the most important, most subversive Chinese rock performer of the last hundred years. At 5 minutes 7 seconds is Paul McCartney’s old mate Peter Asher who used to perform in the pop duo Peter and Gordon – his sister Jane was engaged to McCartney at one point – https://www.youtube.com/watch?v=GQFxUdzT-m0&ab_channel=race_to_the_bottom
Here are ten short profiles of incredibly talented and in some cases charismatic keyboard players who are no longer among the living. A range of musical styles are covered here.
1. JON LORD (1941 – 2012)
Jon Lord was co-founder and dynamic keyboardist and composer with the heavy metal band Deep Purple but as he progressed musically he began composing lengthy complex Third Stream music for rock band and symphony orchestra (e.g. Concerto For Group and Orchestra, and Gemini Suite). He was wonderfully likeable as a person and, to my mind, he was hands down the greatest of the rock keyboardists. Three very different tracks:
- Unsquare Dance – this track, just for fun, is in the unusual time signature 7/4, and is arranged by Lord but composed by one of Lord’s heroes, Dave Brubeck – https://www.youtube.com/watch?v=VACwF7djomQ&ab_channel=GorGhazaryan
- Cologne Again – this is also in 7/4 time, arranged by Lord, who plays both piano and organ. His organ solo starts at the 3 minute 34 second mark – https://www.youtube.com/watch?v=BVgXI-Ye_dw&ab_channel=Normallhuman
- Green Onions – Jon Lord is in Australia here playing with The Hoochie Coochie Men and his amazing extended solo begins at the 1 minute 58 second mark – https://www.youtube.com/watch?v=gz0cc9dUnJc&ab_channel=BobDaisley
2. JAMES BOOKER (1939 – 1983)
New Orleans voodoo pianist Dr. John described James Booker as “the best black, gay, one-eyed junkie piano player genius New Orleans has ever produced.” Yes, he could play New Orleans blues with the best of them, but he could also flawlessly play difficult classical works by the likes of Chopin and Beethoven. Despite his great natural talent he died alone of a drug overdose waiting for medical assistance in the Emergency Room of a New Orleans Hospital at the age of forty-three. He does some complicated things with his left hand, and other skilled New Orleans piano players who have tried to duplicate his playing report that what he did was impossible. Both his playing and singing are of the highest quality: Please Send Me Someone to Love – at the 2 minute 44 second he rips into an incredible solo (his left hand is doing some particularly interesting things) – https://www.youtube.com/watch?v=L-ckKtyOiMU&ab_channel=BluesyGibby
3. DAVE BRUBECK (1920 – 2012)
I find that much of what Brubeck recorded is quite boring, however, over his seventy year career he did two revolutionary things. First of all he recorded with world class symphony orchestras playing his own compositions designed to allow jazz musicians to weave intricate improvisations in and out of carefully constructed classically scores. The second thing he did was to become comfortable composing and improvising naturally in challenging time signatures. His quartet included three of the most skilful musicians in the business. Examples of their work in 5/4, 7/4, 11/4 and 13/4 time can be found in a later post on ghost drummers. He also recorded ‘Blue Rondo a la Turk’ which is in 9/4 time but broken down in a 2 2 2 3 beat pattern instead of the standard 3 3 3 beat pattern of Western music. He composed this while touring Turkey in the 1950’s (something no one else from the West did back then). His composition ‘Tritonis’ is not only in 5/4 time but for the pianist the left hand and the right hand are in different keys, which is ridiculously difficult to pull off.
It also should be mentioned that early in his career his quartet had an incredibly important chance to play live on television but just before air time he found out that the camera people had been given instructions to be careful to avoid recording the bass player, Eugene Wright, who was the black member of the quartet. Brubeck simply refused to play when he heard this, even though it was live, and so he paid dearly for his refusal. Here are two examples of Brubeck’s work:
- Forty Days – After a short intro in 4/4 time, the piece is in 5/4 time, and the melody is one of the most haunting I have ever heard – Brubeck’s solo starts at the 2 minute 31 second mark – https://www.youtube.com/watch?v=WbdpQ2pPlD8&ab_channel=dizzyhole
- Bluette – From the 3 minute 17 second mark to the end the piano and sax (played by Paul Desmond) create an impressive improvised contrapuntal section together – https://www.youtube.com/watch?v=xX6CRLt6CLE&ab_channel=TamunaZurabishvili
4. LEON RUSSELL (1942 – 2016)
Leon Russell’s sixty-year career as a session musician then as a solo artist included over 430 songs recorded in a variety of musical styles. He had six gold records and two Grammies, had been inducted into both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame, and was a major performer at George Harrison’s Concert for Bangla Desh. He could sing, and play keyboards, guitar, trumpet and bass, and was an excellent arranger. Two tracks:
- A Song For You – with a wonderfully under-stated brass arrangement and Russell’s unusual vocal style; this song has been covered over 200 times – https://www.youtube.com/watch?v=4lKnb5IEATg&ab_channel=LeonRussell-Topic
- Shoot Out on the Plantation – George Harrison (guitar) and Ringo Starr (drums) of The Beatles are also playing on this track – https://www.youtube.com/watch?v=SJJp_X4ckCo&ab_channel=LeonRussell-Topic
5. OSCAR PETERSON (1925 – 2007)
Peterson released over 200 recordings, received seven Grammies, but most importantly was called ‘The Maharaja of the Keyboard’ by the great Duke Ellington himself. Art Tatum in his day was the most technically brilliant jazz keyboardist around, until Peterson (who admired Tatum greatly) came along and surpassed Tatum. Peterson also had an extensive schooling in the classics and his speed and intricate chord changes are breath-taking. He was also not afraid to stand up to racism. He tells the story of playing a gig in his home town of Montreal, Canada as a young musician late one night, and after the show as he was about to get into a cab an older white man pushed into the cab ahead of him, calling him ‘nigger’ and telling him to get out of his way. Peterson, a large man of considerable strength, grabbed the man, took him aside, and beat the shit out of him. End of story. Here is Hymn to Freedom, composed by Peterson; notice his incredible technique starting at the 3 minute 10 second mark – https://www.youtube.com/watch?v=tCrrZ1NnCuM&ab_channel=dgbailey777
6. GARY BROOKER (1945 – 2022)
Gary Brooker was the leader for over fifty years of Procol Harum, the group that invented symphonic rock, but he started out as the leader of a great Rhythm and Blues band called The Paramounts. Keith Richards of The Rolling Stones was a great fan of The Paramounts and they toured with both The Rolling Stones and The Beatles back in the early sixties. Brooker wrote the music for almost everything Procol Harum released for decades, and he was also a great musical arranger. One of Brooker’s best tracks, called ‘Ghost Train’, can be heard on a later ghost story on ghost drummers because of the superlative drumming of B.J.Wilson on the track.
- Gary Brooker with Procol Harum live at the Union Chapel – Simple Sister – https://www.youtube.com/watch?v=KosQB-bxtAU&list=PLCWR7cftUj6SF9CfcUP-p92bw0efk9o7g&index=7&ab_channel=SilverBell
- Gary Brooker with Procol Harum – A Whiter Shade of Pale, performed with the Danish National Concert Orchestra and Choir in 2006. The song was an international Number One hit in 1968, co-written by Brooker, one that has been covered over one thousand times. Brooker plays the piano and takes lead vocals – https://www.youtube.com/watch?v=St6jyEFe5WM&ab_channel=Widespreadpanic41
7. OSCAR LEVANT (1906 – 1972)
Concert pianist, composer, conductor, author, radio personality, television personality and actor, he was known as much for his skilful playing as he was for his wit. As an aspiring pianist he was good enough to study with the eminent Arnold Schoenberg who was greatly impressed by the lad. Levant was a major actor appearing in the feature film ‘An American in Paris’ with the revolutionary dancer / choreographer Gene Kelly. Levant was also known for his interpretations of Gershwin’s works. Tragically he was also a heavy smoker all his life, and was addicted to pharmaceuticals. He talked openly about his neuroses, and on several occasions he was committed to psychiatric hospitals. He was known also for his outrageous comments, for example, after Marilyn Monroe married noted playwright Arthur Miller and converted to Judaism, Levant commented “Now that Marilyn Monroe is kosher, Arthur Miller can eat her.” In the following clip notice his facial tics and nervous mannerisms – note also the sad way that he ends this short but famous Etude Opus 10 No. 3 by Chopin – https://www.youtube.com/watch?v=O8fA8j5JpHI&ab_channel=drewsaur
Here is Levant playing a short excerpt from Gershwin’s Concerto in F, a work which I think is one of the great musical works of the twentieth century – https://www.youtube.com/watch?v=bIqnqabXCiQ&ab_channel=s006221
8. TEDDY WILSON (1912 – 1986)
In November 1935 young Benny Goodman accepted a lengthy engagement in Chicago playing with the Fletcher Henderson Band. The engagement included periodic ‘rhythm concerts’ which featured the Benny Goodman Trio with Benny and Gene Krupa (both white) and a black piano player, the first time in the United States that a racially integrated group performed to a paying audience. The piano player was Teddy Wilson, who had a reputation as an elegant musician. Wilson was also known as the ‘Marxist Mozart’ because he chaired the Artists’ Committee to Elect Benjamin J. Davis as a New York city councillor and as a member of the Communist Party. He also played benefits for the New Masses, an American Marxist magazine, and for Russian War Relief back when Russia was an ally of the United States. Wilson eventually led his own orchestra, and recorded with such jazz giants as Louis Armstrong, Lena Horne and Billie Holiday. Here is Teddy Wilson as part of The Benny Goodman Quartet in 1937 – Avalon played at breakneck speed – Wilson’s solo starts at the 32 second mark – https://www.youtube.com/watch?v=zBs9gZQX7lQ&ab_channel=harryoakley
9. JESS STACY (1904 – 1995)
This is an excerpt from the Louis Prima arrangement of ‘Sing Sing Sing’ performed by The Benny Goodman Orchestra at Carnegie Hall 1938, the night jazz became respectable. At the beginning Benny grabs the house mike and says “Yeah Jess” to start it off. This solo by Stacy is as close to the Platonic absolute of improvisation as I’ve ever heard anyone get – https://www.youtube.com/watch?v=dGdD0NztzsA&ab_channel=Cmisner
10. GLENN GOULD (1932 – 1982)
Gould was a Canadian pianist with an international reputation for his superlative interpretations of Bach, achieving both speed and clarity, but he was also a composer, conductor, writer and broadcaster. He travelled to Russia in 1957 to perform at the height of the Cold War, the first Western performer to play in Russia since World War Two. He refused to concertize after age 31, and was known for his eccentric behaviour and compelling personality. He died nine days after his fiftieth birthday. He exploded on the scene with his brilliant 1955 recording of Bach’s Goldberg Variations. In 1981 he reinterpreted that original recording, as heard here – https://www.youtube.com/watch?v=sN7mcfzm300&ab_channel=Jastermereel18
The next Ghost Story will focus on female piano-playing ghosts. The one after that will be about important living keyboard players.
OTHER GREAT KEYBOARDISTS, DEAD AND ALIVE:
- Steve Allen
- Billie Joe Armstrong (Green Day)
- Johann Sebastian Bach
- Tony Banks (Genesis)
- Count Basie
- Boris Berezovsky
- Eubie Blake
- Victor Borge
- Ray Charles
- Frederic Chopin
- Van Cliburn
- Nat King Cole
- Fats Domino
- Dr. John
- Keith Emerson (Emerson, Lake and Palmer)
- Bill Evans
- George Gershwin
- Emil Gilels
- Jonny Greenwood (Radiohead)
- Nicky Hopkins
- Vladimir Horowitz
- Byron Janis
- Billy Joel
- James P. Johnson
- Jerry Lee Lewis
- John Lewis (The Modern Jazz Quartet)
- Ramsey Lewis
- Liberace
- Franz Liszt
- Little Richard
- Richard Manuel (The Band)
- Ray Manzarek (The Doors)
- Dudley Moore
- Wolfgang Amadeus Mozart
- Andre Previn
- George Shearing
- Horace Silver
- Willie ‘The Lion’ Smith
- Fats Waller
- Richard Wright (Pink Floyd)
PREVIOUS GHOST STORIES:
- Houdini’s Secret Army and The Decline of Democracy – https://thekiddca.wordpress.com/2022/11/19/ghost-story-1-houdinis-secret-army-and-the-decline-of-democracy/
- The Power of the Spirit – https://thekiddca.wordpress.com/2022/11/25/ghost-story-2-the-power-of-the-spirit/
- A Slaughterhouse, a Melancholy Dane, an Impossible Cat and a Cambridge Apostle – https://thekiddca.wordpress.com/2022/12/02/ghost-story-3-a-slaughterhouse-a-melancholy-dane-an-impossible-cat-and-a-cambridge-apostle/